{"title":"Varnish","description":"","products":[{"product_id":"matisse-mm7-250ml-poly-gloss-varnish","title":"MATISSE MM7 Poly Gloss Varnish 250ml","description":"\u003cp\u003e\u003cstrong\u003eName:\u003c\/strong\u003e MM7 Polymer Gloss Varnish\u003c\/p\u003e\n\u003cp\u003eDescription from Matisse:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolymer Gloss Varnish \u0026amp; Medium\u003c\/strong\u003e serves as a gloss finishing varnish and a glossy additive to the paint. This varnish will help \u003cstrong\u003emaintain colour intensity\u003c\/strong\u003e with a gloss finish comparable to that of oil paintings.\u003c\/p\u003e\n\u003cp\u003eMixed with Matisse Colours, it increases gloss and flows characteristics. Used as a finishing varnish, it \u003cstrong\u003eproduces a strong, protective, tack-free, clear film\u003c\/strong\u003e. Pictures treated with MM7 Polymer Gloss Varnish will look like work done with oil paints or shiny enamel.\u003c\/p\u003e\n\u003cp\u003eMM7 Polymer Gloss Varnish and \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-mediums\/full-list-of-matisse-mediums\/mm6-polymer-matt-varnishmm2m06\" target=\"_blank\"\u003eMM6 Polymer Matt Varnish\u003c\/a\u003e are freely inter-mixable to achieve a semi-gloss or satin finish. \u003cstrong\u003eMM7 dries completely clear, is non-yellowing, and it will remain flexible\u003c\/strong\u003e. Polymer water-based varnishes may appear to be slightly hazy whilst in solution. This optical effect is produced by light refraction of acrylic particles suspended within the water-based medium. The effect disappears when the film is dry.\u003c\/p\u003e","brand":"Matisse","offers":[{"title":"Default Title","offer_id":53327966077219,"sku":"MATMED250PGV","price":42.5,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/MATMED250PGV-Photoroom-Photoroom.jpg?v=1743401160"},{"product_id":"matisse-mm6-250ml-poly-matt-varnish","title":"MATISSE MM6 Poly Matt Varnish 250ml","description":"\u003cp\u003e\u003cstrong\u003eName: \u003c\/strong\u003ePolymer Matt Varnish\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrief Description: \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatisse \u003c\/strong\u003e Polymer Matt Varnish can be used as a final varnish over a dried, well-cured acrylic painting when a flat, matt or very low sheen is required (and the use of \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-mediums\/full-list-of-matisse-mediums\/mm15-matt-varnish-turps-based-mm2m15\" target=\"_blank\"\u003eMM15 Matt Varnish\u003c\/a\u003e (turps-based) is not appropriate).\u003c\/p\u003e\n\u003cp\u003eMost suitable as a protective coating, particularly over significant works exposed to damage in public galleries, commercial paintings required for floodlit photographic reproduction and paintings that would be improved by eliminating unbalanced glossy highlights. Although white, MM6 Polymer Matt Vanish dries completely clear and is non-yellowing.\u003c\/p\u003e","brand":"Matisse","offers":[{"title":"Default Title","offer_id":53327966339363,"sku":"MATMED250PMV","price":42.5,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/MATMED250PMV-Photoroom-Photoroom.jpg?v=1743400989"},{"product_id":"matisse-mm28-250ml-polymer-satin-varnish","title":"MATISSE MM28 Polymer Satin Varnish 250ml","description":"\u003cp\u003e\u003cstrong\u003eName:\u003c\/strong\u003e MM28 Polymer Satin Varnish\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrief description:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMM28 Polymer Satin Varnish\u003c\/strong\u003e is a water-based acrylic varnish containing matting agents to reduce sheen, resulting in a satin finish which is not too glossy but still has a lively look about it without being matt. MM28 Polymer Satin Varnish will help to bring out the intense, vibrant colours of the Matisse Professional Artist Acrylics range. Use as a final varnish over a dried, well-cured acrylic painting where a satin or semigloss sheen is required (and the use of \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-mediums\/full-list-of-matisse-mediums\/mm29-final-varnish-satin-finish-mm2m29\" target=\"_blank\"\u003eMM29 Final Varnish Satin Finish\u003c\/a\u003e (Turps-based) is not appropriate).\u003c\/p\u003e\n\u003cp\u003eThis varnish may be used to matt off a work for photography or wherever a subdued satin finish is required. It is most suitable as a protective coating particularly over large works exposed to damage in public galleries, commercial paintings required for floodlit photographic reproduction and paintings that would be improved by eliminating unbalanced glossy highlights.\u003c\/p\u003e\n\u003cp\u003eMore application information can be found at the Matisse website \u003ca href=\"https:\/\/www.matisse.com.au\/mm28-polymer-satin-varnish\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e","brand":"Matisse","offers":[{"title":"Default Title","offer_id":53327966535971,"sku":"MATMED250PSV","price":42.5,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/MATMED250PSV-Photoroom-Photoroom.jpg?v=1743400762"},{"product_id":"matisse-mm33-250ml-uv-conserv-varn-t-b","title":"MATISSE MM33 UV Conservation Varnish","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProfessional artists products from Derivan Matisse.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eWhat is 'UV Conservation Varnish T\/B' (Turpentine based)?\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt is a final clear gloss varnish (similar to Matisse \u003c\/span\u003e\u003ca href=\"https:\/\/www.matisse.com.au\/mm14-final-varnish-gloss-finish-turps-based\"\u003eMM14 Gloss Varnish\u003c\/a\u003e\u003cspan\u003e) quick drying, designed to give your painting that final “glow”, but with the added benefit of UV protection. This makes it ideal for varnishing items that will be exposed to daylight or for extending the light fastness of items that are not traditionally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e UV refers to Ultra Violet radiation present in artificial and natural sources such as sunlight and often manifests itself as discolouration or fading, cracking, and, sometimes, total product disintegration (if cracking has proceeded sufficiently).\u003c\/p\u003e\n\u003cp\u003eAccess the \u003cstrong\u003eSafety Data Sheet \u003c\/strong\u003edirectly from the Matisse website for more information on the product page \u003ca href=\"https:\/\/www.matisse.com.au\/mm33-uv-conservation-varnish#:~:text=Safety%20Data%20Sheet%20(SDS%2DGHS%20Compliant)\" title=\"Link to Product Safety data sheet section on the Matisse website\" rel=\"noopener\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCaution from Matisse regarding first use:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAlthough Matisse Derivan products are formulated to the highest standards and extensively tested, it is strongly recommend a small test be undertaken before any varnish is applied to the final surface. If you have any questions regarding the use or application of any Matisse Derivan products, please contact them on \u003c\/span\u003e+61297362022\u003cspan\u003e or email your query directly to \u003c\/span\u003e\u003ca href=\"mailto:derivan@derivan.com.au\"\u003ederivan@derivan.com.au.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFurther information from Derivan Matisse on application and use:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMatisse MM33 UV Conservation Varnish\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eproduces a hard, non-yellowing, UV protected coating similar in appearance to Damar varnish. It will slow the rate of fading of printed material as it reduces UV light spectrum by more than 99%.\u003c\/p\u003e\n\u003cp\u003eEasily dissolved with mineral turpentine, this varnish can be removed without any impact if applied over Matisse Acrylic paints. If used over other brands of acrylic paint a patch test in an inconspicuous area is recommended.\u003c\/p\u003e\n\u003ch3\u003eHow to Use it:\u003c\/h3\u003e\n\u003cp\u003eMM33 UV Conservation Varnish is easily applied with a soft bristled brush. It does not need to be diluted and can be used straight from the container. The size of brush chosen will depend on the area to be varnished and the dimensions of the artwork. Apply in light coats moving quickly over the surface. Avoid over working the varnish as the surface may become matted if brushing continues as the varnish begins to dry. Two coats of UV Varnish are recommended, ensuring that the first coat is thoroughly dry before a second application. Under regular conditions (20C), this varnish should be dry within 4-6 hours. If uncertain, leave to dry for 24 hours before applying the next coat.\u003c\/p\u003e\n\u003ch3\u003eGeneral Varnish Application Tips:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUV Conservation Varnish can be applied over Oils, Alkyds, Acrylics and printed surfaces. It is highly recommended a test piece should always be done when applying over a non-Matisse product and especially on printed surfaces.\u003c\/li\u003e\n\u003cli\u003eVarnishes should only be applied over completely dry surfaces.\u003c\/li\u003e\n\u003cli\u003eMake sure you work in a well ventilated area and children and pets are not in the immediate surroundings.\u003c\/li\u003e\n\u003cli\u003eEnsure the surface is dust and hair free by wiping with a dry, clean cloth.\u003c\/li\u003e\n\u003cli\u003eApply the varnish with a soft bristled brush to create a smooth, even finish. The method of brush application, be it in horizontal, vertical or crisscross strokes is a matter of personal preference. It is best to try each method to see which one works best for you.\u003c\/li\u003e\n\u003cli\u003eVarnishes are best applied when the item is horizontal. This will prevent the varnish dripping and running down the surface.\u003c\/li\u003e\n\u003cli\u003eA couple of lighter coats are more effective and less problematic than applying a single, thick coat.\u003c\/li\u003e\n\u003cli\u003eApply each coat of varnish in one sitting to the whole painting. This will minimise any contrast between areas that have been varnished on separate occasions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCleaning Up:\u003c\/h3\u003e\n\u003cp\u003eClean up your equipment as soon as you have finished application. Mineral turpentine is recommended to remove this varnish from brushes and hands. It is advisable to rinse brushes in clean warm soapy water, so bristles remain soft and all residue from varnish and solvents is removed. Wash skin thoroughly with soap and water after removal.\u003c\/p\u003e\n\u003ch3\u003eRemoval:\u003c\/h3\u003e\n\u003cp\u003eBe aware that any removal of varnish layers procedure should be carefully undertaken as this will affect directly the painted surface and may change, and in some cases even damage, the substrate if improperly handled. If in doubt, this process should be left to specialised conservators particularly with works of high value, whether sentimental or financial.\u003c\/p\u003e\n\u003cp\u003eAs the removal procedure of varnishes involve the use of solvents, please consider wearing protective clothing and equipment and work in a well ventilated area.\u003c\/p\u003e\n\u003cp\u003eUV Conservation Varnish can be easily removed with mineral turpentine if used over Matisse Acrylic Structure and Flow formulas. Apply the mineral turpentine directly to a thick, soft, low-lint cloth and lightly buff the surface until the varnish begins to dissolve. With another clean cloth dampened in turpentine gently pat the surface to remove the varnish and clean the area worked on. A patch test in an inconspicuous area is recommended if removing this varnish from non-Matisse brand acrylic paint. Be aware that vigorous rubbing may cause any acrylic paint to lift during varnish removal.\u003c\/p\u003e\n\u003ch3\u003eOther Uses:\u003c\/h3\u003e\n\u003cp\u003eTo use UV Conservation Varnish as a retouch varnish for oil paintings, mix with 50% mineral turpentine. Retouch varnish is known as a temporary varnish. It gives the artist and indication of what dried colours would look like when wet, so the painting can be continued with colour accuracy. It is not a final varnish.\u003c\/p\u003e\n\u003ch3\u003eTech Summary\u003c\/h3\u003e\n\u003cp\u003eThe UV protectors serve two important purposes. Firstly it acts as a “radical scavenger”. The UV protectors scavenge and trap the radicals and convert them into harmless ketones and alcohols. The second purpose it to absorb UV light and convert it into heat. Both these combined protect against colour change of the substrate and gloss reduction of the varnish itself when exposed to UV. The UV protectors are re-generating, and depending on the exposure of the coating, will continue to protect it for many years. This product uses a combination of two technologies to provide maximum protection, HALS and UV-A. HALS (hindered amine light stabilizers) is what we call a 'radical scavenger'.  It reacts with radicals initiated by thermo or photo-oxidative degradation caused by UV light.  The HALS scavenges and traps the radicals and converts them into harmless ketones and alcohols.  The main purpose of the HALS is to protect against gloss reduction, cracking, yellowing and chalking.\u003c\/p\u003e\n\u003cp\u003eUV-A (Ultra Violet Absorber) absorbs the UV light and converts it into harmless heat.  This mainly protects against colour change (fading), but also protects against de-lamination, blistering and gloss reduction.\u003c\/p\u003e\n\u003cp\u003eBoth the HALS and UV-A are re-generating - they continue to scavenge and absorb once the coating has formed.  By using both HALS\/UV-A synergistically together, you obtain maximum protection from UV degradation.  Depending on the exposure of the coating, the HALS\/UV-A will protect the coating for many years.\u003c\/p\u003e","brand":"Matisse","offers":[{"title":"Default Title","offer_id":53327967224099,"sku":"MATMED250UCV","price":59.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/MATMED250UCV-Photoroom-Photoroom.jpg?v=1743396276"},{"product_id":"leonard-3755bb-white-bristle-large-flat","title":"Leonard 3755BB White Bristle Large Flat","description":"\u003cspan data-mce-fragment=\"1\"\u003eLeonard handcrafting high-quality brushes in France since 1779. Creation in Paris of Maison Chorion \u0026amp; Samuel, one of the very first brush-making workshops in the Western world. The quality products are passed in more than 7 generations already, but they maintain their quality until this day.\u003c\/span\u003e","brand":"LEONARD","offers":[{"title":"20mm x 37mm","offer_id":53553912873251,"sku":"3660599039507","price":29.95,"currency_code":"NZD","in_stock":false},{"title":"40mm x 37mm","offer_id":53553912906019,"sku":"3660599039521","price":38.95,"currency_code":"NZD","in_stock":false},{"title":"60mm x 37mm","offer_id":53553912938787,"sku":"3660599039545","price":54.95,"currency_code":"NZD","in_stock":false},{"title":"80mm 39mm","offer_id":53553912971555,"sku":"3660599039569","price":74.95,"currency_code":"NZD","in_stock":false},{"title":"100mm 42mm","offer_id":53553913004323,"sku":"3660599039576","price":84.95,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/leonard-3755bb-white-bristle-large-flat-leonard-leonard-3755bb-white-bristle-large-flat-brush-leonard-56557214073119.png?v=1747716111"},{"product_id":"silver-brush-5403-atelier-mottler-oval","title":"Silver Brush 5403 Atelier Mottler Oval","description":"\u003cp\u003eAchieve precise and controlled strokes with the Silver Brush 5403 Atelier Mottler Oval. Ideal for varnishing, graining, transparent painting, and priming with its extra-long handle and rust-proof copper ferrule. Crafted with Atelier™ White Hog Bristle for a flawless finish every time.\n\u003cbr\u003e\n- Handle: Extra-long\n\u003cbr\u003e\n- Ferrule: Rust-proof copper\n\u003cbr\u003e\n- Bristle Material: Atelier™ White Hog Bristle\u003c\/p\u003e","brand":"SILVER BRUSH","offers":[{"title":"30 (30mm x 35mm)","offer_id":53553917264163,"sku":"765179543306","price":27.95,"currency_code":"NZD","in_stock":false},{"title":"40 (40mm x 40mm)","offer_id":53553917296931,"sku":"765179543405","price":36.95,"currency_code":"NZD","in_stock":false},{"title":"50 (50mm x 45mm)","offer_id":53553917329699,"sku":"765179543504","price":43.95,"currency_code":"NZD","in_stock":false},{"title":"60 (60mm x 50mm)","offer_id":53553917362467,"sku":"765179543603","price":49.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/silver-brush-5403-atelier-mottler-oval-silver-brush-buy-silver-brush-5403-atelier-mottler-oval-best-for-larger-canvases-silver-brush-56554349297951.jpg?v=1744756106"},{"product_id":"aeroart-crystal-clear-varnish-fast-drying","title":"AeroArt Crystal Clear Fast-Drying Spray Varnish","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAeroArt Crystal Clear Acrylic Varnish.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eGloss finish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFast-drying\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePermanent \u0026amp; non-yellowing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAerosol dispensing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e400g\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AeroArt","offers":[{"title":"Default Title","offer_id":54174827282723,"sku":null,"price":22.95,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6319\/7731\/files\/AeroArt_Varnish-Photoroom.jpg?v=1753322436"},{"product_id":"sennelier-spray-varnish-400ml-aerosol","title":"Sennelier Spray Varnish 400ml aerosol","description":"\u003cdiv\u003e\n\u003cp\u003eSennelier Universal Spray Varnish, is an archival, non-yellowing permanent varnish with UV protection (light-fast, age resistant and re-soluble). It is universally applicable and suitable for all colour ranges. It \u003cspan\u003eis the ultimate final coat varnish for both oil and acrylic paintings, providing comprehensive protection against harmful UV radiation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe required surface is obtained by spraying on the varnish in fine, carefully metred layers. With its short drying times it is easy to work with. Sennelier Universal Spray Varnish is available in 400ml spray cans in \u003cstrong\u003eGloss\u003c\/strong\u003e, \u003cstrong\u003eMatte\u003c\/strong\u003e and \u003cstrong\u003eSatin\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor a glossy finish with UV protection, Sennelier \u003cstrong\u003eGloss Varnish\u003c\/strong\u003e is the ideal choice. 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